"...during the staging of a bedroom scene, my co-star took umbrage with the level of intimacy being suggested between our characters. In a private rehearsal, Greg Beeman, our director, asked if she was willing to lower the straps of the top she was wearing and expose her bare shoulders only above the sheet that covered her, in order to give the visual impression she was in the same state of undress as me, as I was shirtless. My co-star refused Beeman’s request, and I was instantly aware of the tension on the set. I remember instinctively checking to make sure both my hands were visible to everyone who was there, as not to have my intentions or actions misconstrued. Despite Beeman’s clear description of what he was looking for visually, my co-star insisted she was, indeed, being asked to remove her top completely, and rehearsal was cut. She then demanded a meeting with Beeman and the producers who were on set and proceeded to have an intense and loud conversation in which she expressed she had never been so disrespected — as an actress, a woman or a human being.
Later, she found me and said she hoped the “discussion” could stay between us. I didn’t know how that was possible, given said “discussion” was had at elevated levels on a soundstage in front of the crew. Also, my co-star never once thought to include me, her scene partner, in any part of a “discussion,” in which I would have gladly participated. So I found the appeal to my sense of solidarity after the fact strange and somewhat hollow. Nonetheless, I assured her I was fine with getting the work done in any way she and Beeman could agree on. We completed the scene with the straps of my co-star’s top clearly visible, resolving the matter to what I believed was her satisfaction.
she’d shot another scene that called for Niki to seduce Nathan Petrelli, played by Adrian Pasdar. After watching the episode, I asked Pasdar if there had been any concerns similar to what I witnessed during my episode. He replied to the contrary, and mentioned her openness to collaboration and even improvisation. I pondered why my co-star had exuberantly played a different scene with the Petrelli character involving overt sexuality while wearing lingerie, but found aspects of one involving love and intimacy expressed through dialogue with my character, her husband, disrespectful to her core. I couldn’t help wondering whether race was a factor.
...Hammer stepped in. He said he needed me to know I was “loved” and my co-star was “hated” by many for her behavior, saying it as if I would join in. I didn’t; I just wanted to be able to do my job and do it well. Hammer then made it clear he would deny what he said if I went public with said revelation. I pointed out it was absurd to hear that, given that when the meeting concluded, my co-star would be the one still with a job and I would be the one painfully unemployed. Hammer said I needn’t worry, suggesting I would undoubtedly move on from “Heroes” and still be working in 10 years.
“Don’t think of this as a situation where the Black man loses and the white woman wins,” Hammer said.
....In the fall of 2007, I received two scripts that concluded D.L.’s storyline. His death was to be the result of a random act of gun violence. I found the choice to be as perplexing as it was ironic, given D.L.’s ability to pass through matter — apparently bullets were still an exception. What was most offensive was the offer to pay me as a guest star, instead of as a series regular. I was prepared to walk away, but my representatives were able to secure pay consistent with what I would have made as a series regular, as a gesture of making me whole."
The problem is all year the negative stuff has been amplified! Seriously though am I the only one struggling to remember a positive story from 2020?
