This is such a weak complaint because the vast majority of movies with substantial black roles don't deal with "historic racism". So I don't know what that "always" bullshit comes from.
Consider the fact that Hollywood studio heads aren't overly keen about:
1)period movies
2)movies that deal with racism
3)movies that deal with black people
4)movies that are period pieces that deal with the racism dealt with by black people
So in other words a whole lot of those films have never been produced. As one white critic for the WPost wrote in a column years ago, the Civil Rights period is the lone important period of American history that has been underrepresented in Hollywood films. So for those who think that here have been a lot of these types of movies that's your mind playing tricks on you. Why that is I have no idea.
It wasn't meant as a complaint, merely an observation. I'm sorry if I made an error, but I was thinking of Roots, Cry Freedom, Mississippi Burning, Something That the Lord Made, Sounder, Miracle at St. Anna, Do The Right Thing, X, School Daze, Amistad, Raisin in the Sun, the current film Red Tails (which I plan to pay my ducats to go see), Men of Honor, A Soldier's Story, Glory, Monster's Ball, White Man's Burden, A Dry White Season, and the list goes on.
While I love almost all of these films, I have noticed (erroneously, apparently) that films either
generally slot black people in the malevolent 'Other' roles, frightening the beejeezus out of whites with our supposed hyper-violence, hyper-sexuality, and whatever other BS they come up with (with almost zero nuance or real character development a la The Wire), or roles where blackness vis-a-vis whiteness is almost an invisible character in the movie. I have no gripe over historical films, but I'm generally much more interested in (hence the pic of Chiwetel as the Operative) in sci-fi and futurism. Just a preference, nothing more, nothing less. The statement wasn't meant to imply that there is a large quantity of films featuring black actors, but of those that are released, many are period pieces. I did not necessarily mean that all films with black actors deal exclusively with racism or slavery, but the observation can even extend to extreme characterizations rooted in popular culture stereotypes. It is almost palpable to me. But I was wrong. My mistake.
And I didn't mean to skip over the "Tyler Perry and similar films" genre, either. In my opinion they fall into the "characterizations rooted in popular culture stereotypes" idea I was struggling to articulate.
This article does a better job of expressing my thoughts on the racism or stereotyping dichotomy in movies:
http://www.nytimes.com/2011/02/13/movies/awardsseason/13movies.html